Ipoh has always been a unique concoction of culture and art and limestone and soul, a magnificent microcosm of modern Malaysia.
While the adornments may not be entirely original – even largely derivative as a lot of modern art and popular culture tends to be, Ipoh puts its own sublime spin on what it means to be a Malaysian metropolitan landmark city.
With extravagantly large visuals (you’ll notice Ipoh is noticeably larger in print on road signage) and splashes of colours between heritage colonial buildings, Ipoh is evolving out of the umbra of its larger brothers that flank it to the north and south.
Easily compared to Penang and Melaka, Ipoh has always been that hub town on the road down to KL or Cameron Highlands. But I’m afraid that is no longer the case.
While retaining its former identity as a British colony and tin mining town, Ipoh is rapidly blossoming into a tourist city rife with vivid colour and character.
Ipoh has a strange phenomenon where existing narrow terres townhouses have been extended upward. You can still see the remnant of the original roof poking out between crushed concrete.
And like any tropical town, Ipoh is alive with green and vegetation, tying it back to its simple Malaysian roots.
And of course it wouldn’t be a modern city without some swanky street art!
Remnants of the colonial era stand strong against the tropical elements.